Liste Year
Year of Birth
Country of Birth
Presented by
2023
1985
Colombia
FORO.SPACE
SOFT PORN
LISTE 2023
Juana Anzellini‘s project includes –among various methods and topics– a series of paintings with a strong graphic component. This work intertwines oil and acrylic on canvas, as well as linoprints and silkscreens that fragment, overlap and expand a reinterpretation of scenes from Italian erotic comics that landed in a South American country. These comics include titles such as Ulula, Sukia, Pedrito or Naga.
Anzellini did this project between the graphic workshops at the Arts Academy in Leipzig and her Berlin studio, located in front of the Stasi/Hohenschönhausen jail (East Germany Secret Police). In the movie “The life of the others”, a Stasi agent tells his colleague, who is in charge of spying on a suspect artist: “Your guy Deryman is a Type 4, a genuine hysteric anthropocentric. He cannot live alone, he always needs to talk and needs to be among friends. We shouldn ́t take him to trial. Temporary detention is the best way to deal with this kind of people. Complete isolation without an exit date.” This movie clip depicts how isolation can stop art’s potential to transform life; paradoxically, it is literally in front of a Stasi jail, where Juana vehemently highlights art’s transforming potential. She brings archive material to life, which cuts across the social history of the Italian erotic comic and her own personal life story
In this case, the archival material Juana uses is a series of comics from the seventies and the eighties that were reprinted for the Colombian market by Luigi Anzellini, her grandfather. He came to Colombia in 1955 at the impetus of his Colombian wife, Celia Fajardo, who was finishing her Master's Degree in Art History in Florence, Italy. Thanks to the connections he made while working at “Olivetti,” a defunct Italian typewriter company, Juana´s grandfather found a business opportunity by buying the reproduction rights of these comics for Latin America. This project included reprinting and translating the comics from Italian to Spanish, which he did himself. The Latino versions of these comics were distributed in and from Colombia to other countries in South America. They were sold in magazine stands and stores throughout the country. For years, these comics became part of the social imaginary and became a popular cultural reference for millions of people.
The unusual mix of eroticism, adventure, terror, violence, fantasy, and extravagance, where wide shots and extreme close-ups to intimate parts of the body are used as an intersection of both Italian and Colombian aesthetic culture. These two Latin cultures share an outward characteristic, where the socialization of emotions and the body-to-body contact is fundamental in the construction of social interactions in public and private life. The love for excess, adventure, and, in some cases, the love for the illicit, is also reflected in these smuggling and trafficking cultures. The connection between the outside and the inside, the intimate and the secret, is also present in Anzellini's paintings.