OVERVIEW

Will Rawls

Liste Year

Year of Birth

Country of Birth

Presented by

2023

1978

United States

Adams and Ollman

Will Rawls, Amphigory [29, 30, 14, 1, 13, 38, 37, 15, 5, 16, 36, 8, 7, 26, 4, 35, 32, 33, 2], 2022
Will Rawls, Amphigory [29, 30, 14, 1, 13, 38, 37, 15, 5, 16, 36, 8, 7, 26, 4, 35, 32, 33, 2], 2022

For Liste Art Fair Basel 2023, Adams and Ollman will feature American artist Will Rawls (b. 1978, Boston, MA). On view will be a presentation of works on paper, as well as a video, that builds on the artist’s long-standing interests in the politics of movement and language.

  • Will Rawls, Amphigory [29], 2022
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  • Will Rawls, Amphigory [13], 2022
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  • Will Rawls, Amphigory [8], 2022
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  • Will Rawls, Amphigory [32], 2022
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"Rawls has done things with screen printing that should not be possible. He has made screen-printing break its own rules, of legibility, of smoothness, of producing a fixed presence."

Lucy Cotter, Oregon ArtsWatch

For more than twenty years, Rawls has been creating works that bring together dance, choreography, installation, text and video. Across his practice, Rawls grapples with language as an ever-evolving site of negotiation, drawing parallels between its fluctuating meanings and the human body as it dances, contorts, transforms, speaks, groans, and repeats itself. The artist’s work poetically embraces glitches and failures in communication, whether linguistic, gestural or visual. This resulting loss and retrieval of meaning signals Rawls’ belief that precarity is fundamental to storytelling under conditio ...

Additional Works

The following works were included in Amphigory, a solo exhibition by American artist Will Rawls at Adams and Ollman in the fall of 2022. The exhibition, his first at the gallery, built upon Rawls’ long-standing interests in the politics of movement and language with a large-scale, multi-panel installation of prints on paper and a sculpture. The exhibition was on view October 29 through December 3, 2022.

“ 'Amphigory' serves as a natural extension of Rawls’ creative practice spanning performance, video, text and installation, wherein the artist’s mark is visibly traced into each pixelated and distorted letter. A mark is extended, scraped across the paper, or, in other instances, incomplete, leaving the moment of signification in flux. Each of those sites of expression are imbued with the artist’s fascination with language as a locus for discourse, allowing words to morph, become muddled, and open new avenues of translation.“

Luiza Lukova, Artillery

Will Rawls, Amphigory [The Thing About Life], 2022
Will Rawls, Amphigory [The Thing About Life], 2022
Will Rawls, Amphigory [Is That You], 2022
Will Rawls, Amphigory [Is That You], 2022
Will Rawls, Amphigory [U Can't Escape Alive], 2022
Will Rawls, Amphigory [U Can't Escape Alive], 2022
Will Rawls, Amphigory [Whoops! Game Over], 2022
Will Rawls, Amphigory [Whoops! Game Over], 2022
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Installation views: Will Rawls, Amphigory, Adams and Ollman, Portland, OR