Liste Year
Year of Birth
Country of Birth
Presented by
2023
1978
United States
Adams and Ollman
Will Rawls (b. 1978, Boston, MA) is a choreographer, dancer, and writer whose work unfolds at the edges of sense when dance and language clash. His multi-disciplinary projects focus on how black performance might rescript the visibility and erasure inherent in anti-black perception. He has received fellowships and residencies from the Guggenheim Foundation, the Alpert Foundation, the Foundation for Contemporary Arts, Creative Capital, United States Artists, the Rauschenberg Foundation, the MacDowell Colony, and several universities and museums. Recent performances and exhibitions have been presented at the Henry Art Gallery, University of Washington, Seattle, WA; Museum of Modern Art, New York, NY; MoMA PS 1; New York, NY; PACE LA, Los Angeles, CA; REDCAT, Los Angeles, CA; Hessel Museum, Bard College, Annandale-on-Hudson, NY; Institute of Contemporary Art, Boston, MA; Walker Art Center, Minneapolis, MN; Yale Repertory Theatre, New Haven, CT. Currently, his work is on view at the Museum of Contemporary Art Chicago, Chicago, IL and at the Momentary, Bentonville, AR. In 2016, he co-curated Lost and Found, six weeks of performances at Danspace Project that addressed the intergenerational impact of HIV/AIDS on dancers, women, and people of color. He lectures widely in academic and community contexts and his writing has been published by the Hammer Museum, MoMA, Museu de Arte de São Paolo, Dancing While Black Journal, and Artforum. Rawls is Associate Professor of Choreography in UCLA’s Department of World Arts and Cultures/Dance.
For Liste Art Fair Basel 2023, Adams and Ollman will feature American artist Will Rawls (b. 1978, Boston, MA). On view will be a presentation of works on paper, as well as a video, that builds on the artist’s long-standing interests in the politics of movement and language.
"Rawls has done things with screen printing that should not be possible. He has made screen-printing break its own rules, of legibility, of smoothness, of producing a fixed presence."
—Lucy Cotter, Oregon ArtsWatch
For more than twenty years, Rawls has been creating works that bring together dance, choreography, installation, text and video. Across his practice, Rawls grapples with language as an ever-evolving site of negotiation, drawing parallels between its fluctuating meanings and the human body as it dances, contorts, transforms, speaks, groans, and repeats itself. The artist’s work poetically embraces glitches and failures in communication, whether linguistic, gestural or visual. This resulting loss and retrieval of meaning signals Rawls’ belief that precarity is fundamental to storytelling under conditio ...
Additional Works
The following works were included in Amphigory, a solo exhibition by American artist Will Rawls at Adams and Ollman in the fall of 2022. The exhibition, his first at the gallery, built upon Rawls’ long-standing interests in the politics of movement and language with a large-scale, multi-panel installation of prints on paper and a sculpture. The exhibition was on view October 29 through December 3, 2022.
“ 'Amphigory' serves as a natural extension of Rawls’ creative practice spanning performance, video, text and installation, wherein the artist’s mark is visibly traced into each pixelated and distorted letter. A mark is extended, scraped across the paper, or, in other instances, incomplete, leaving the moment of signification in flux. Each of those sites of expression are imbued with the artist’s fascination with language as a locus for discourse, allowing words to morph, become muddled, and open new avenues of translation.“
—Luiza Lukova, Artillery
Installation views: Will Rawls, Amphigory, Adams and Ollman, Portland, OR