OVERVIEW

Anna McCarthy

Liste Year

Year of Birth

Country of Birth

Presented by

2023

1981

United Kingdom

Sperling

Creatures in the Soap, 2023
Creatures in the Soap, 2023

The Oyster Dance...in which a naked woman danced alone on a small stage to the sound of a piano. The best of them was Olivia, the Oyster Dancer, who placed a raw oyster on her forehead, leant back and let it slide down her body without ever falling off. The oyster crisscrossed her torso right down to her forefoot, from which she would kick it up into the air, catch it on her forehead, and begin the process anew.

The central theme of the booth is the psychological impact of the global climate crisis on both a personal and collective level, coupled with a trauma-coping-strategy that casts light on a seemingly hopeless situation.

As in previous works, Anna McCarthy stresses the inseparability between the private and political by using an everyday image to describe the bigger picture: A shiny soap dispenser containing – on closer inspection – various drowning insects in the electric pink gel-like soap, which is typically supposed to connote cleanliness and health, has become the aggressor, suffocating its ...

  • Wash Cycle Phase II, Pencil on Paper, 21 × 30 cm, 2023
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The Human Fountain, 2021, mixed media, dimensions variable, in "Nimmersatt? Imagining Society without Growth", installation view at Westfälischer Kunstverein, photos: LWL/Hanna Neander
The Human Fountain, 2021, mixed media, dimensions variable, in "Nimmersatt? Imagining Society without Growth", installation view at Westfälischer Kunstverein, photos: LWL/Hanna Neander
The Human Fountain, 2021, mixed media, dimensions variable, in "Nimmersatt? Gesellschaft ohne Wachstum denken", installation views Westfälischer Kunstverein, photos: LWL/Hanna Neander
The Human Fountain, 2021, mixed media, dimensions variable, in "Nimmersatt? Gesellschaft ohne Wachstum denken", installation views Westfälischer Kunstverein, photos: LWL/Hanna Neander
  • Anna McCarthy, Washing Cycle, 2022, at Sperling, Munich, photo: Sebastian Kissel
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