Isadora Vogt

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Isadora Vogt's practice encompasses drawing, painting, collages and video work and is informed by a strong interest in the concept and imagery of romanticisation in relation to topics like identity and power structures.
In her paintings and collages she often draws on folkloristic and fairy-tale motifs as well as historical references, combining found objects and archival materials, like stationary paper, magazine cutouts and photographs.

Blaue Frauen
Isadora Vogt, Blaue Frauen, 2022, Oil chalk, acrylic, paper print, magazine cutout on linen, 55 x 70 cm. Photo: Moritz Schermbach
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Isadora Vogt, Die Eingebildete, 2023, Direct print on marker, pencil, acrylic on linen, 90 x 90 cm. Photo: Andreas Lumineau

Vogt uses costumes and staging techniques as a means of self-representation and to question preconceived notions of identity and gender-based archetypes.

Her new video work "Zwischen Waldhaus und Rothaus" is set in the Black Forest and juxtaposes the romanticisation of landscape with the masking of industrial and economical interests also present in this area.

  • Zwischen Waldhaus und Rothaus, 2023, video HD (stills), colour, no sound
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Baleno ottobre 2022 31
Hinterland, 2022, installation view, Baleno International, Rome. Photo: Luana Rigolli
WF IV Woshbourg 10
Woshburg, 2020, installation view, Weiss Falk. Photo: Flavio Karrer