Matthew Brown is pleased to present recent paintings and sculptures by TARWUK for the 2022 edition of Liste, Basel. TARWUK is the collaboration of Bruno Pogacnik Tremow and Ivana Vuksic. Working as a single entity, TARWUK investigate the boundaries of the self by presenting the body in a process of existential metamorphosis. Comprised of industrial debris, their shape-shifting, (p)androgynous sculptures seem to originate from an archaeological and totemic past, and suggest a progressive restructuring of human anatomy that balances both being and becoming with a strange and exhilarating vitality. In t ...

KLOSKLAS_Son secret c’était / D’écouter la fleur, 2022

Steel, epoxy resin, fabric, polyurethane foam, acrylic pain, rubber, twine

Dimensions variable

KLOSKLAS_Son secret c’était / D’écouter la fleur, 2019-2022
KLOSKLAS_Son secret c’était / D’écouter la fleur, 2019-2022
KLOSKLAS_Son secret c’était / D’écouter la fleur, 2019-2022
KLOSKLAS_Son secret c’était / D’écouter la fleur, 2019-2022
KLOSKLAS_Son secret c’était / D’écouter la fleur, 2019-2022
KLOSKLAS_Son secret c’était / D’écouter la fleur, 2019-2022
KLOSKLAS_Son secret c’était / D’écouter la fleur, 2019-2022
KLOSKLAS_Son secret c’était / D’écouter la fleur, 2019-2022
KLOSKLAS_Son secret c’était / D’écouter la fleur, 2019-2022
KLOSKLAS_Son secret c’était / D’écouter la fleur, 2019-2022
KLOSKLAS_Son secret c’était / D’écouter la fleur, 2019-2022
KLOSKLAS_Son secret c’était / D’écouter la fleur, 2019-2022
KLOSKLAS_Son secret c’était / D’écouter la fleur, 2019-2022
KLOSKLAS_Son secret c’était / D’écouter la fleur, 2019-2022
KLOSKLAS_Son secret c’était / D’écouter la fleur, 2019-2022

MRTISKLAAAH_Maître du Monde (immensity of the forest), 2022

Oil, colored pencil and graphite on canvas

60 x 65 x 2 in / 152.4 x 165.1 x 5.1 cm

MRTISKLAAAH_Maître du Monde (immensity of the forest), 2022. Detail.
MRTISKLAAAH_Maître du Monde (immensity of the forest), 2022. Detail.
MRTISKLAAAH_Maître du Monde (immensity of the forest), 2022
MRTISKLAAAH_Maître du Monde (immensity of the forest), 2022. Detail.
MRTISKLAAAH_Maître du Monde (immensity of the forest), 2022. Detail.
MRTISKLAAAH_Maître du Monde (immensity of the forest), 2022
MRTISKLAAAH_Maître du Monde (immensity of the forest), 2022. Detail.
MRTISKLAAAH_Maître du Monde (immensity of the forest), 2022. Detail.
MRTISKLAAAH_Maître du Monde (immensity of the forest), 2022

TARWUK, Ante mare et terras, Collezione Maramotti, Emilia Romagna, Italy, 2021. Installation view.

KLOSKLAS_borrowing being/inexhaustible worker, 2022

Wood, plaster, polyurethane foam, resin clay, string, pewter, steel, string, acrylic paint

10 x 6 x 26.5 in / 25.4 x 15.2 x 67.3 cm

KLOSKLAS_borrowing being/inexhaustible worker, 2019-2022
KLOSKLAS_borrowing being/inexhaustible worker, 2019-2022
KLOSKLAS_borrowing being/inexhaustible worker, 2019-2022
KLOSKLAS_borrowing being/inexhaustible worker, 2019-2022
KLOSKLAS_borrowing being/inexhaustible worker, 2019-2022
KLOSKLAS_borrowing being/inexhaustible worker, 2019-2022
KLOSKLAS_borrowing being/inexhaustible worker, 2019-2022
KLOSKLAS_borrowing being/inexhaustible worker, 2019-2022
KLOSKLAS_borrowing being/inexhaustible worker, 2019-2022

TARWUK is the artistic collaboration of Ivana Vuksic (b. 1981, Dubrovnik, Croatia) and Bruno Pogacnik Tremow (b. 1981, Zagreb, Croatia). Vuksic received her MA from Faculty of Political Sciences, Zagreb and Pogacnik Tremow received dual MFAs from Columbia University and Academy of Fine Arts, Zagreb.

Solo and two person exhibitions include Ante mare et terras, Maramotti Collection, Emilia Romagna, Italy (2021); A Musical Score at the End of the World, Matthew Brown, Los Angeles (2021); Bijeg u Noć, Martos Gallery, New York (2020); Pčele su prije bole češće. Nije li tako?Molim?,15 Or ...